Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Spirit, dwelling in a cave, raised young and gave a magical power and the fire of justice. After that, the guys joined in the fight against evil.

Satirical take on the reactions of the inhabitants of an Irish village when they learn that a group of thirty asylum seekers is to be relocated to their village.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A suspense work starring Junko Natsu. One night, Saiko Ogata, a popular female DJ on a late-night radio music program, discovers a strange letter among a pile of postcards. It was a letter written in the style of a 5 or 6-year-old child, beginning with, "Mom, I am in a dark and cold world right now." Saiko is shocked. That letter was a letter from her own child, whose father was Kazuo Yamazaki, whom Saiko had fallen in love with six years ago when they were trainees at a certain theater company, and who had sprouted in Saiko's womb but passed away without being born...

This Halloween, the spirits are restless and things that go bump in the night are closer than they seem for Chris, a widower who is coming to terms with his loss. While living in his hotel, strange things begin to happen. Voices in the night and faces at the window are not uncommon and things are about to get a lot worse when he is forced to face the paranormal and save his wife s soul from the evil spirit of her killer.

Long ago, Earth was dominated by supernatural spirits, living in the forest. Man however, lived in perfect harmony with them, thanks to a sacred alliance he concluded with the animals. This common destiny protected man from these spirits. Out of this alliance came incredible legends. Handed down from generation to generation, these legends have always been considered to be ancient history. Today however, throughout the world, there exist ethnic minorities whose daily lives continue to bear witness to contemporary myths: these legends are their faith, and the animals, their gods. Thus, they are perpetuating the sacred alliance between man and the animals of the wild. By recounting extraordinary true stories, Master of the Spirits has sought out these peoples, who continue to share incredible adventures with animals, hoping to receive the spirit's protection.

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A profile of the Iranian film industry